Saturday, 29 November 2014



Jackson was a mentor for Savanhdary Vongpoothorn when she lived for six years in Wedderburn. Nowadays Vongpoothorn is in Canberra, where she continues to paint in a style that owes an equal debt to her Laotian background and to the Australian landscape. The thread-like detail in Vongpoothorn’s The Beautiful as Force, at Martin Browne Contemporary, is reminiscent of textile design, but the affinities with contemporary Aboriginal paintings are also very strong.
Like the indigenous artists, Vongpoothorn creates all-over, immersive canvases that are simultaneously vistas of the cosmos, and views through the lens of a microscope. Her works are maps of experience and aids to meditation. When one examines these paintings closely it becomes apparent that the surfaces are not flat, but punctuated by tiny, regular perforations – added by Vongpoothorn’s patient father, a former Buddhist monk.
- See more at: http://johnmcdonald.net.au/2013/roy-jackson-savanhdary-vongpoothorn-kirsteen-pieterse-vika-begalska/#sthash.gygYvbCh.dpuf

Sunday, 23 November 2014

men who love colour



stanley hayter, john hoyland, patrick heron, victor pasmore, antony caro- all men, nearly all plummy and posh, all colour lovers.


all comment on unhelpfulness of analysing why you do what you do 3 comment on once committed to starting
quick application of paint
Heron using 1 coat oil paint only so luminosity of primer comes through, no overlap so doesn't produce 3rd colour


Hoyland:
"So fragile an activity (making a painting)....try to keep confidence up, painting things that nobody wants..unreal activity..trying coax painting along but not force it...letting paint work for me...amuses me when people get into painting as form of therapy..if you want to drive them crazy get them into painting..such a nerve wracking business not sure how anyone can relax by it"

V pasmore
"artist both master and slave to his work, if ingredients right then picture will work for itself....artist must have some idea what he's going to do...process will determine style...for example if I start with a splodge"


"worst people to understand modern painting are scholars, I get no problems from children looking at my paintings"

"painting once you start goes on automatically from it's own laws"

"there is a right and wrong in art but that's something you must know inside you"

V pasmore: pouring paint on non-stretched canvas first...
non-static painting-can be appreciated and get different views from different angles in contrast to say a Rembrandt that have to see straight on.
http://thecolourofideas.blogspot.co.uk/2011/08/john-hoyland.html



eastern influences

sengai Zen buddhist artist 1830
forms for painting from Bill Martin's website

astounded to come across this 19th ink drawing in an inspiring book called yoga art by Ajit Moorkerjee. lots of stunning works of painters exploring the use of symbolism, colour and geometry over the centuries

an ink on paper brush painting. The description includes 'the evolution of the fundamental forms under which we understand our universe and return it to its comprehensive form, from r->l evolution from l->r return'

the book aims to show the link between yoga, spiruality and art.
the images 'express in archetypal forms spiritual insights...ther are at once the product and tool of meditation'..

draw what you know.link to another blogger who randomly has posted many of the images from the book



Friday, 21 November 2014

works with light




moving images project for FdA Fine Art
the brief:
to create a video using powerpoint, still abstract/figurative images and 3 videos
Using iphone for recording images

Interested in conveying warmth/familiarity/security of familiar lighting eg orange but editing stills/movies in an uneasy sequence,that stop starts.
Strobe effect on video below...! Close-up of digital projector forming abstract repeatedlights