interested in using photo stills as a /figurative starting point or skeleton for painting work.
Building up layers in a predetermined fashion blocks me, it's the highlighting chance marks, working with what is accidentally there, as well as taking away to reveal colours/marks underneath is what seems to appeal at the moment, especially from my ECG drawings.
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Rachel WhitereadB: Clapton Park Estate, Mandeville Street, London E5; Bakewell Court; Repton Court; March 1995 1996 |
love this final still from the tate website which is taken after a demolition of a building in east london
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